Oscar Straus, Gabriele Hirsch, Otto Honeck's 'Ein Walzertraum: Leise, ganz leise klingts durch den Raum' came out on June 11, 2019. With this song being about 5 minutes long, at 4:45, "Ein Walzertraum: Leise, ganz leise klingts durch den Raum" by Oscar Straus, Gabriele Hirsch, Otto Honeck is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wiener Operetten by Gabriele Hirsch, Otto Honeck. The song's track number on the album is #5 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Ein Walzertraum: Leise, ganz leise klingts durch den Raum is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ein Walzertraum: Leise, ganz leise klingts durch den Raum by Oscar Straus, Gabriele Hirsch, Otto Honeck has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ein Walzertraum: Leise, ganz leise klingts durch den Raum being at 113 テンポ, the half-time would be 56 テンポ with a double-time of 226 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Symphony No. 8: IV. Rondo. Allegro molto vivace | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | D Major | 1 | 10B | 126 BPM | ||
L'elisir d'amore, Act I: Chiedi all'aura | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Ein Walzertraum (A Waltz Dream), Act I: Non sai mia bella: Leise, ganz leise klingt's durch den Raum (arr. for orchestra) | Oscar Straus, Schwanen Salon Orchestra, Georg Huber | F Major | 0 | 7B | 79 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
Przemysl | Paul Moravec, Oratorio Society of New York, Raehann Bryce-Davis, Joseph Charles Beutel, Kent Tritle | F Major | 2 | 7B | 65 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Mini Hungarian 5 | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM |