"Chéri" by Erik Lautier, Maggi-Meg Reed, Elena Shadow, Marni Nixon, Lorinda Lisitza, Lucille Patton, Peter Clark, Charlotte Cohn, Lucas Blondheim was released on August 1, 2009. With this song being about 5 minutes long, at 4:37, "Chéri" by Erik Lautier, Maggi-Meg Reed, Elena Shadow, Marni Nixon, Lorinda Lisitza, Lucille Patton, Peter Clark, Charlotte Cohn, Lucas Blondheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Selections from Chéri". In this album, this song's track order is #16. In terms of popularity, Chéri is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chéri by Erik Lautier, Maggi-Meg Reed, Elena Shadow, Marni Nixon, Lorinda Lisitza, Lucille Patton, Peter Clark, Charlotte Cohn, Lucas Blondheim having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Accende Lumen Sensibus | Angelina Rojas, Lourdes Ambriz, Encarnacion Vazquez, Grace Echauri, Veronica Alexanderson, Jose Guadalupe Reyes, Jesus Suaste, Noé Colin, Orquesta Sinfonica de Xalapa, Francisco Savin | E♭ Major | 2 | 5B | 81 BPM | ||
Carmina Burana: IV. Omnia sol temperat | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | G Minor | 0 | 6A | 79 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
The Secret Agent, Act II: Scene 6 | Michael Dellaira, Amy Burton, Scott Bearden, Sara Jobin, Center for Contemporary Opera Orchestra | G Major | 1 | 9B | 0 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
The Holy Sonnets of John Donne, Op. 35: Sonnet XIV: Batter my heart | Benjamin Britten, Steuart Bedford, Philip Langridge | C Minor | 4 | 5A | 0 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM |