"Carmina Burana: IV. Omnia sol temperat" by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox was released on January 1, 2005. The duration of Carmina Burana: IV. Omnia sol temperat is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Carmina Burana: IV. Omnia sol temperat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Carmina Burana: IV. Omnia sol temperat is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: IV. Omnia sol temperat by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Catulli Carmina: Actus III: Odi et amo | Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum | F Minor | 6 | 4A | 99 BPM | ||
Luke and Leia | John Williams, London Symphony Orchestra | A Major | 0 | 11B | 77 BPM | ||
The Wooden Prince, Op. 13, Sz. 60: Dance of the Princess in the Forest | Béla Bartók, London Symphony Orchestra, Antal Doráti | A Major | 4 | 11B | 104 BPM | ||
Oboe Concerto in C Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony Orchestra | C Major | 1 | 8B | 120 BPM | ||
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | E♭ Minor | 1 | 2A | 106 BPM | ||
Spring Symphony, Op. 44, Part III: When will my May come (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Messa di Gloria, Op.posth., Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 135 BPM | ||
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D♭ Major | 0 | 3B | 98 BPM |