Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel's 'Casse-Noisette, Op.71 : 'Danse de la Fée-Dragée'' came out on 1991. With Casse-Noisette, Op.71 : 'Danse de la Fée-Dragée' being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Tchaïkovsky: Symphonie No. 6 en si mineur, Pathétique, Op.74; La belle au bois dormant, Op. 66; Casse-Noisette, Op.71". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Casse-Noisette, Op.71 : 'Danse de la Fée-Dragée''s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Casse-Noisette, Op.71 : 'Danse de la Fée-Dragée' by Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Danse Du Sabre | Aram Khachaturian, Jean Claude Borelly | C Major | 6 | 8B | 171 BPM | ||
Le Coucou | Louis Daquin, Boris Apostolov | E Minor | 2 | 9A | 132 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 1. Marche (Entrance of King and Court) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | A Major | 2 | 11B | 126 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | ||
L'arrivée à l'école | Bruno Coulais | G Minor | 1 | 6A | 119 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Concerto pour violon en re majeur, Op. 35 (Extraits) | Budapest Symphonie Orchesta, Sarah Nemtanu | D Major | 1 | 10B | 84 BPM |