Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter's 'Angelica-Polka francaise, Op. 123' came out on July 26, 1993. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Angelica-Polka francaise, Op. 123 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Angelica-Polka francaise, Op. 123 by Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
La Bayadère / Act 2: No.30 Tempo di valse | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | G Major | 0 | 9B | 100 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: III. March No. 3 in C Minor (Con fuoco - Vivace - Cantabile) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | B♭ Minor | 2 | 3A | 71 BPM | ||
Eine Nacht In Venedig, Quadrille, Op. 416 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 112 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Polonaise militaire, Op. 40, No 1 | Frédéric Chopin, New York Philharmonic, Andre Kostelanetz | A Major | 4 | 11B | 95 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 6 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | D Major | 2 | 10B | 77 BPM |