"Daphnis et Chloé, Part II: Bryaxis veut entraîner..." by CBSO Chorus, Simon Halsey, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on 1992. The duration of Daphnis et Chloé, Part II: Bryaxis veut entraîner... is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Daphnis et Chloé, Part II: Bryaxis veut entraîner...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Daphnis et Chloé, Part II: Bryaxis veut entraîner... is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part II: Bryaxis veut entraîner... by CBSO Chorus, Simon Halsey, Sir Simon Rattle, City Of Birmingham Symphony Orchestra having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: War Requiem, Op. 66: II. Dies irae, (c) Liber scriptus proferetur (Soprano, Semi-Chorus) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
The Armed Man - A Mass For Peace: 10. Agnus Dei | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 127 BPM | ||
Gloria: V. The Exaltation: Deomine Deus | Karl Jenkins, National Youth Choir Of Great Britain, London Symphony Orchestra, Mike Brewer, Jody K. Jenkins | A Major | 3 | 11B | 132 BPM | ||
The Healer - A Cantata For St Luke's: The Shepherd | Karl Jenkins, Polyphony, Stephen Layton | G Major | 1 | 9B | 76 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Chichester Psalms: I. Psalm 108,2 / Psalm 100 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM |