Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus)' came out on 1953. With this song being about 5 minutes long, at 4:31, "Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus)" by Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus) by Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 3 | 11A | 80 BPM | ||
Il turco in Italia, Act I: Ed osate… (Critical Ed. Margaret Bent) - Edit | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Major | 2 | 10B | 131 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Macbeth / Act IV: Pietà, rispetto, amore (Macbeth) | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Major | 3 | 8B | 166 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Meco all'altar di Venere (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 3 | 9B | 98 BPM | ||
La Cenerentola / Act 2: "Scusate, amici" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM |