"L'Enfance du Christ, Op.25 - original version / Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus" by Hector Berlioz, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy, Maîtrise De Paris, Patrick Marco was released on January 1, 2006. L'Enfance du Christ, Op.25 - original version / Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #2 out of 37 tracks. L'Enfance du Christ, Op.25 - original version / Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'Enfance du Christ, Op.25 - original version / Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus by Hector Berlioz, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy, Maîtrise De Paris, Patrick Marco has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Enfance du Christ, Op.25 - original version / Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM |