Kurt Weill, Cord Garben, Brigitte Fassbaender, Radio-Philharmonie Hannover des NDR's ' "Die sieben Todsünden: IV. Zorn (La Colère)" was released on its scheduled release date, July 31, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weill: Die sieben Todsünden & Chansons by Kurt Weill, Brigitte Fassbaender, Cord Garben, Radio-Philharmonie Hannover des NDR. The song's track number on the album is #4 out of 15 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Die sieben Todsünden: IV. Zorn (La Colère)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die sieben Todsünden: IV. Zorn (La Colère) by Kurt Weill, Cord Garben, Brigitte Fassbaender, Radio-Philharmonie Hannover des NDR has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die sieben Todsünden: IV. Zorn (La Colère) being at 138 テンポ, the half-time would be 69 テンポ with a double-time of 276 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Bellini: Norma, Act 1: Casta diva (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani | F Major | 2 | 7B | 83 BPM | ||
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
Jazz Suite No. 1: III. Foxtrot (Blues) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F♯ Minor | 0 | 11A | 108 BPM | ||
Jazz Suite No.2: 3. Dance I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D Minor | 1 | 7A | 74 BPM | ||
Die Dreigroschenoper: Akt I, Anstatt-Dass Song ("Anstatt dass") | Kurt Weill, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg | B♭ Major | 1 | 6B | 108 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM |