"Bellini: Norma, Act 1: Casta diva (Norma, Chorus)" by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani was released on 1954. Since Bellini: Norma, Act 1: Casta diva (Norma, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 44 in Bellini: Norma (1954 - Serafin) - Callas Remastered by Vincenzo Bellini, Maria Callas. Bellini: Norma, Act 1: Casta diva (Norma, Chorus) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: Norma, Act 1: Casta diva (Norma, Chorus) by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Turandot, Act 2: "Guizza al pari di fiamma" (Turandot, Emperor, Crowd, Liù, Calaf, Wise Men) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Giuseppe Nessi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 2 | 2B | 78 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Ines di Castro: "Cari giorni" (Romanza der Ines) | Giuseppe Persiani, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | A♭ Minor | 1 | 1A | 113 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Adriana Lecouvreur: Poveri fiori | Francesco Cilea, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Minor | 2 | 7A | 76 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM |