Giuseppe Matteo Alberti, Kammerorchester Basel's 'Concerto per Chiesa e per Camera in G Minor, Op. 1 No. 9, TalA 16: II. Largo' came out on January 27, 2017. The duration of Concerto per Chiesa e per Camera in G Minor, Op. 1 No. 9, TalA 16: II. Largo is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Concerto per Chiesa e per Camera in G Minor, Op. 1 No. 9, TalA 16: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 25 in Bologna 1666 by Kammerorchester Basel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto per Chiesa e per Camera in G Minor, Op. 1 No. 9, TalA 16: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto per Chiesa e per Camera in G Minor, Op. 1 No. 9, TalA 16: II. Largo by Giuseppe Matteo Alberti, Kammerorchester Basel is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 2, No. 4: III. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 112 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro | Georg Philipp Telemann, Dorothee Oberlinger | E♭ Minor | 3 | 2A | 132 BPM | ||
Concerto No. 1 In D Major RV 549: III. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 144 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": II. Allegro | Arcangelo Corelli, I Musici, Felix Ayo, Roberto Michelucci, Walter Gallozzi, Anna Maria Cotogni, Carmen Franco, Alfonso Ghedin, Enzo Altobelli, Mario Centurione, Maria Teresa Garatti | G Minor | 3 | 6A | 139 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, I. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | E Major | 3 | 12B | 120 BPM | ||
Alberti : Sonata for Trumpet, Strings & Continuo : I Allegro | Giuseppe Matteo Alberti, Maurice André, Philippe Caillard, Jean-Francois Paillard Chamber Orchestra | D Major | 1 | 10B | 109 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Sonata quarta in B minor, Parte Prima: I. Largo Andante | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM |