Louis-Antoine Dornel, Musica Barocca's 'Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande' came out on July 29, 2008. With Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 35 in Dornel, L.-A.: 6 Suittes En Trio by Louis-Antoine Dornel, Musica Barocca. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande by Louis-Antoine Dornel, Musica Barocca is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Sinfonia G-dur (1749): III. Presto | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Major | 2 | 2B | 74 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata in E Minor, Op. 6, No. 8: II. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Sonata No. 2 in B-Flat major , QV 1:162:, QV 1:162: II. Allegretto | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | B♭ Major | 4 | 6B | 146 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM | ||
Trio Sonata in C Minor, BuxWV 262: IV. Allegro - V. Vivace | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |