Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan made "Tritsch-Tratsch-Polka, Op.214" available on January 1, 1988. The duration of Tritsch-Tratsch-Polka, Op.214 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Tritsch-Tratsch-Polka, Op.214's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Johann and Josef: Waltzes and Polkas". In this album, this song's track order is #9. The popularity of Tritsch-Tratsch-Polka, Op.214 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tritsch-Tratsch-Polka, Op.214 by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Le Beau Danube (The Blue/Beautiful Danube) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 0 | 8B | 86 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) | Franz Schubert, Gewandhausorchester, Kurt Masur | G Major | 0 | 9B | 85 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM |