Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge made "Matinées musicales, Op. 24: 3. Waltz" available on April 18, 2020. With Matinées musicales, Op. 24: 3. Waltz being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #16 out of 186 tracks. In terms of popularity, Matinées musicales, Op. 24: 3. Waltz is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Matinées musicales, Op. 24: 3. Waltz by Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Matinées musicales, Op. 24: 3. Waltz being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
In Autumn, Op.11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 80 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 2 | 10B | 70 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
A Charm of Lullabies, Op. 41: A Cradle Song (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | G Major | 3 | 9B | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM |