Marin Marais, Isang Enders, Mischa Meyer's 'Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos' came out on April 24, 2020. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #1 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos by Marin Marais, Isang Enders, Mischa Meyer has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatrième suite in A Minor: No. 3, Gavotte | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Premiere suite in D Minor: No. 4, Caprice | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 135 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
4e livre de viole: Caprice ou Sonate (Lent, très légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 1 | 1A | 113 BPM | ||
Alcione - 4Ème Suite - Airs Pour Les Matelots Et Les Tritons - 3Ème Air "Tambourin" Pour Les Mêmes | Jordi Savall, Marin Marais | G Minor | 3 | 6A | 121 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Médée, H. 491: Ouverture | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | B♭ Major | 2 | 6B | 146 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM |