"Eben: Ókna (Windows) - after Marc Chagall: III. Cervené Okno (The Red Window)" by Petr Eben, Alison Balsom, Quentin Thomas was released on October 7, 2002. Eben: Ókna (Windows) - after Marc Chagall: III. Cervené Okno (The Red Window) is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in Alison Balsom's "Music for Trumpet and Organ" album is number 13 out of 14. In terms of popularity, Eben: Ókna (Windows) - after Marc Chagall: III. Cervené Okno (The Red Window) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eben: Ókna (Windows) - after Marc Chagall: III. Cervené Okno (The Red Window) by Petr Eben, Alison Balsom, Quentin Thomas to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khorhoot Khorin: O, Mystery Deep (Choir) | Paros Chamber Choir, Raffi Mikaelian | F♯ Minor | 0 | 11A | 62 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Small Sky (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Evening Songs, Op. 3: No. 2, Mně zdálo se | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Major | 1 | 9B | 86 BPM | ||
Le Triomphe de l'Harmonie: Nous jouissons de nos asiles… (Chœur de nymphes) | François-Lupien Grenet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 134 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Prelude and Fugue in E Minor, BWV 533 | Johann Sebastian Bach, Lenough Anderson | E Minor | 3 | 9A | 84 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 76 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM |