Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra's 'Khachaturian: Masquerade: I. Waltz' came out on January 1, 1994. With this song being about 5 minutes long, at 4:37, "Khachaturian: Masquerade: I. Waltz" by Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aram Khachaturian, Alexander Lazarev & Bolshoi Symphony Orchestra, Alexander Lazarev, The Bolshoi Symphony Orchestra's "Khachaturian : Gayaneh, Masquerade & Spartacus [Excerpts] (Apex)" album is number 5 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Khachaturian: Masquerade: I. Waltz is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khachaturian: Masquerade: I. Waltz by Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Waltz In c Sharp Minor Opus 64 No. 2 | Rigutto Bruno | D♭ Minor | 0 | 12A | 85 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Tasmin Little, John Lenehan | E Major | 1 | 12B | 89 BPM | ||
Montagues & Capulets | Richard Clayderman | A Minor | 3 | 8A | 104 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Minor | 0 | 5A | 81 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Bruno Walter, Columbia Symphony Orchestra, New York Philharmonic | E♭ Major | 0 | 5B | 83 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM |