Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon made "Le alegria del battallon: Cancion de la gitana" available on January 1, 2010. With Le alegria del battallon: Cancion de la gitana being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon's "Habanera" album is number 16 out of 19. Based on our statistics, Le alegria del battallon: Cancion de la gitana's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le alegria del battallon: Cancion de la gitana by Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
"La tarántula e un bicho" | Jerónimo Giménez, Anna Netrebko | C Major | 4 | 8B | 108 BPM | ||
La Bohème / Act 1: Sì. Mi chiamano Mimì | Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | B♭ Major | 1 | 6B | 137 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM | ||
Cancion del Vagabundo - Alma de Dios | Carlos Arniches, F. Garcia Alva, Jose Serrano, Alfredo Kraus, Carlos Riazuelo, Orquesta Filarmónica de Gran Canaria | E Major | 2 | 12B | 73 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM |