On 1980, the song "Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 3. Akt: Nr.12b: Zwischenspiel mit Dialog" was released by Franz Lehár, Leo Stein, Victor Leon, Münchner Rundfunkorchester/Heinz Wallberg/Gisela Schunk, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra. With Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 3. Akt: Nr.12b: Zwischenspiel mit Dialog being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Lehár, Leo Stein, Victor Leon, Heinz Wallberg's "Lehár: Die lustige Witwe" album is number 14 out of 32. Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 3. Akt: Nr.12b: Zwischenspiel mit Dialog is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die lustige Witwe - Operette in 3 Akten (1989 - Remaster), 3. Akt: Nr.12b: Zwischenspiel mit Dialog by Franz Lehár, Leo Stein, Victor Leon, Münchner Rundfunkorchester/Heinz Wallberg/Gisela Schunk, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Liebe du Himmel auf Erden | Anna Maria Kaufmann | G Major | 3 | 9B | 80 BPM | ||
Dein ist mein ganzes Herz | Franz Lehár, Fritz L√∂hner-Beda, Ludwig Herzer, Jonathan Antoine | G Minor | 5 | 6A | 117 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM |