Johann Sebastian Bach, Sunhae Im, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs's 'Matthäus-Passion: Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden' came out on October 7, 2013. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 27 out of 70. In terms of popularity, Matthäus-Passion: Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion: Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden by Johann Sebastian Bach, Sunhae Im, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Maddalena ai piedi di Cristo: No. 12 Aria Amor Celeste "Spera, consolati" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E♭ Minor | 2 | 2A | 105 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 3, Rezitativ "Als Jesu nun zu Tische saße" (Evangelist) - No. 4, Arioso "Das ist mein Leib" (Jesus) | Georg Philipp Telemann, Daniel Behle, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 1 | 10A | 65 BPM | ||
Matthäus-Passion, BWV 244, Part I: No. 12, Recitativo "Wiewohl mein Herz in Tränen schwimmt" | Johann Sebastian Bach, Sunhae Im, Akademie für Alte Musik Berlin, René Jacobs | B Major | 1 | 1B | 83 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 3d, Recitativo "Ich seh' ihn! Ihr Götter!" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Du wahrer Gott und Davids Sohn, BWV 23: Chorale: Christe, du Lamm Gottes | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 84 BPM | ||
Himmelfahrtsoratorium, BWV 11: Chorale. Wenn soll es doch geschehen (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 113 BPM |