"Symphony No. 7 In A, Op. 92: 2. Allegretto" by Ludwig van Beethoven, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel had its release date on January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 9 in Beethoven: Symphonies Nos. 5 & 7; Shostakovich: Festive Overture by Ludwig van Beethoven, Gustavo Dudamel, Simón Bolívar Youth Orchestra of Venezuela. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony No. 7 In A, Op. 92: 2. Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 In A, Op. 92: 2. Allegretto by Ludwig van Beethoven, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Fantasy in F Minor, D. 940, Op. 103: I. Allegro molto moderato - Largo | Franz Schubert, Wyneke Jordans, Leo Van Doeselaar | F Minor | 1 | 4A | 105 BPM | ||
3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Noriko Ogawa | G Major | 0 | 9B | 134 BPM | ||
Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Minor | 2 | 6A | 112 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Sonata No. 14 In C Sharp Minor, Op. 27 No. 2 "Moonlight"- Adagio Sostenuto | Valery Vishnevsky, Piano & Igor Lebedev, Piano | D♭ Minor | 0 | 12A | 70 BPM | ||
Cantos de España, Op. 232: No. 1, Prelude | Isaac Albéniz, Rafael Orozco | F Major | 1 | 7B | 69 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Paul Tortelier, English Chamber Orchestra | F♯ Major | 0 | 2B | 111 BPM | ||
Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 58 BPM |