"Pièces pour théorbe, Suite in C Minor: IV. Sarabande" by Robert de Visée, Xavier Diaz-Latorre was released on March 5, 2018. The duration of Pièces pour théorbe, Suite in C Minor: IV. Sarabande is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Pièces pour théorbe, Suite in C Minor: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Robert de Visée: Pièces pour Théorbe & Guitare". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Pièces pour théorbe, Suite in C Minor: IV. Sarabande is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pièces pour théorbe, Suite in C Minor: IV. Sarabande by Robert de Visée, Xavier Diaz-Latorre having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de théorbe, Suite in A Minor: I. Prélude | Robert de Visée, Xavier Diaz-Latorre | A Major | 1 | 11B | 77 BPM | ||
Passagalia in G Minor | Heinrich Ignaz Franz von Biber, Xavier Diaz-Latorre | F♯ Minor | 2 | 11A | 100 BPM | ||
Sonata No. 18 in G Minor, FbWV 618: IV. Gigue | Johann Jakob Froberger, Enrike Solinís | F♯ Minor | 1 | 11A | 76 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Preludio Décimo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Minor | 1 | 11A | 108 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Tombeau de M. Blanrocher | Dufaut, Toyohiko Satoh | D♭ Minor | 1 | 12A | 82 BPM | ||
Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Sarabande en si mineur | Robert de Visée, Rolf Lislevand | D♭ Major | 1 | 3B | 81 BPM |