"Pièces de théorbe, Suite in A Minor: I. Prélude" by Robert de Visée, Xavier Diaz-Latorre was released on March 5, 2018. The duration of Pièces de théorbe, Suite in A Minor: I. Prélude is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Pièces de théorbe, Suite in A Minor: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Robert de Visée: Pièces pour Théorbe & Guitare". In this album, this song's track order is #1. Pièces de théorbe, Suite in A Minor: I. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièces de théorbe, Suite in A Minor: I. Prélude by Robert de Visée, Xavier Diaz-Latorre having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Byrd: In nomine a 5 IV | William Byrd, Fretwork | C Minor | 1 | 5A | 182 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Prelude a la maniere de Carillon | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM |