Andreas Hammerschmidt, Jordi Savall, Hespèrion XX made "Suite No. 27 in D Minor for Gambas a 5: I. Sarabande" available on October 2, 2020. With Suite No. 27 in D Minor for Gambas a 5: I. Sarabande being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Andreas Hammerschmidt, Various Artists's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 4 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Suite No. 27 in D Minor for Gambas a 5: I. Sarabande is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite No. 27 in D Minor for Gambas a 5: I. Sarabande by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fürchtet euch nicht | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 99 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Suite No. 33 in C Major for Gambas and Winds a 5: I. Ballet | Andreas Hammerschmidt, Jordi Savall, Hespèrion XX | C Major | 1 | 8B | 76 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Officium Defunctorum: Lectio secunda ad matutinum. Taedet animam meam | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 76 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
A Sonata of Scots Tunes : Cromlit's Lilt | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 0 | 3B | 82 BPM | ||
Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM |