"Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino" by Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Eduardo Mata was released on 1979. Since Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, James Galway, Eduardo Mata's "James Galway Plays Mozart: K. 299 & K. 622" album is number 2 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in C Major for Flute, Harp and Orchestra, K. 299: II. Andantino by Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Eduardo Mata to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Always on My Mind | Wayne Carson Thompson, Johnny Christopher, Mark James, James Galway, Tom Kochan | G Major | 2 | 9B | 80 BPM | ||
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | E♭ Major | 0 | 5B | 109 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale | Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu | A♭ Major | 0 | 4B | 115 BPM | ||
Thaïs / Acte Deux: Méditation religieuse | Jules Massenet, Nigel Kennedy, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 89 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM |