"Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale" by Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu was released on January 1, 2009. With this song being about 5 minutes long, at 5:24, "Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale" by Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 9 in Crusell, B.H.: Clarinet Concertos Nos. 1-3 by Bernhard Henrik Crusell, Martin Fröst, Okko Kamu, Gothenburg Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clarinet Concerto No. 2 in F Minor, Op. 5: II. Andante pastorale by Bernhard Henrik Crusell, Martin Fröst, Gothenburg Symphony Orchestra, Okko Kamu is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Drei Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Alexei Ogrintchouk, Leonid Ogrintchouk | B♭ Major | 0 | 6B | 131 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 103 BPM | ||
Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Minor | 1 | 4A | 131 BPM | ||
Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
Symphony No. 34 in C Major, K 338: III. Allegro vivace | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | G Major | 3 | 9B | 80 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM |