"Le tombeau de Monsieur de Lully: V. Les Regrets" by Jean-Féry Rebel, London Baroque was released on April 1, 2005. The duration of Le tombeau de Monsieur de Lully: V. Les Regrets is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Le tombeau de Monsieur de Lully: V. Les Regrets's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #33. The popularity of Le tombeau de Monsieur de Lully: V. Les Regrets is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le tombeau de Monsieur de Lully: V. Les Regrets by Jean-Féry Rebel, London Baroque having a テンポ of 188 with a half-time of 94 テンポ and a double-time of 376 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Sonata for Recorder, 2 Violins & Continuo in C Minor: III. Largo | Alessandro Scarlatti, La Serenissima, Adrian Chandler, Tabea Debus | C Minor | 1 | 5A | 107 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 8, L'et cӕtera, ou menuets | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, III. Allegro ma non troppo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | E Major | 1 | 12B | 104 BPM | ||
Concerto grosso No. 10 in F Major: V. Giga | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 3 | 12B | 137 BPM |