Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet made "Te Deum: Symphonie" available on June 7, 1999. Since Te Deum: Symphonie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jean-Baptiste Lully's "Lully: Grand Motets, Vol. 1" album is number 1 out of 14. In terms of popularity, Te Deum: Symphonie is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Te Deum: Symphonie by Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Médée, H. 491, Prologue: Duo. "Voir nos moutons dans la verte prairie" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Jehanne Amzal, Marine Lafdal-Franc | G Minor | 3 | 6A | 64 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Médée, H. 491, Act III: Prélude et scène. "Noires filles du Styx" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Fabien Hyon, Adrien Fournaison | F Minor | 2 | 4A | 172 BPM | ||
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
An Evening Hymn, Z 193 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Major | 1 | 3B | 84 BPM |