New York Theater Symphony Orchestra's ' "Pizzicato Polka" was released on its scheduled release date, January 27, 2009. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Pizzicato Polka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in All Time Favorite Strauss Waltzes by Various Artists. Pizzicato Polka is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Pizzicato Polka by New York Theater Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40, 1st movement (Piano) | Royal Symphony Orchestra | G Minor | 5 | 6A | 110 BPM | ||
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Mikhail Pletnev | D♭ Minor | 0 | 12A | 71 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | C Minor | 2 | 5A | 82 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestra National de Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
Waves of the Danube | Ion Ivanovici, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | D♭ Major | 2 | 3B | 110 BPM | ||
Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | ||
Funeral Sentences For Queen Mary: Funeral March | Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London | C Minor | 2 | 5A | 89 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |