"Suite concertante, Op. 102a (Version for Viola & Orchestra): I. Cantabile" by Hans Gál, Hanna Pakkala, Ostrobothnian Chamber Orchestra, Sakari Oramo was released on September 6, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hans Gál, Hanna Pakkala, Sakari Oramo's "Gál: Music for Viola, Vol. 1" album is number 1 out of 15. In terms of popularity, Suite concertante, Op. 102a (Version for Viola & Orchestra): I. Cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite concertante, Op. 102a (Version for Viola & Orchestra): I. Cantabile by Hans Gál, Hanna Pakkala, Ostrobothnian Chamber Orchestra, Sakari Oramo to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
世界名曲:泰綺思 | 蔡榮吉, 李淑雲, 吳爾笠 | D Major | 2 | 10B | 99 BPM | ||
Quartet for Flute and String Trio No.5 "Alla Turca" in A Major, K.331: I. Andante grazioso | Wolfgang Amadeus Mozart, Trio Quodlibet, Andrea Mogavero | A Major | 0 | 11B | 135 BPM | ||
Piano Quintet No. 3 in A Minor: III. Vivo senza correre | Lorenzo Perosi, Matteo Bevilacqua, Roma Tre Orchestra Ensemble | A Major | 2 | 11B | 96 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 6, Gangar (etter Myllarguten). Allegretto e marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Piano Trio, Op. 49b: III. Marche burlesque: Allegretto - Trio | Hans Gál, Thomas Albertus Irnberger, Attilia Kiyoko Cernitori, Evgueny Sinaiski | G Major | 1 | 9B | 128 BPM | ||
Symphony No. 4 (Sinfonia concertante), Op. 105: I. Improvvisazione - Molto moderato – Allegro moderato | Hans Gál, Orchestra of the Swan, Kenneth Woods, David le Page, Christopher Allan, Diane Clark, Sally Harrop | B♭ Major | 1 | 6B | 124 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 7, Notturno. Andante tranquillo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM |