Pyotr Ilyich Tchaikovsky, Mischa Maisky, Lily Maisky's '6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky)' came out on May 5, 2020. The duration of 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 436 in the song's album "Tchaikovsky for the day". In this album, this song's track order is #328. Furthermore, we believe that the track originated from Germany. 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Lily Maisky having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM | ||
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |