Georges Bizet, Katherine Jenkins, The Czech Film Orchestra, William Hayward's 'Seguidilla' came out on January 1, 2004. The duration of Seguidilla is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Seguidilla's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Katherine Jenkins's "Katherine Jenkins / Second Nature" album is number 7 out of 15. Seguidilla is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Seguidilla by Georges Bizet, Katherine Jenkins, The Czech Film Orchestra, William Hayward to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
E Lucevan Le Stelle | Mario Lanza | B Minor | 3 | 10A | 127 BPM | ||
Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Habanera from Carmen - Voice | Georges Bizet, George Sebastian, Metropolitan Opera Orchestra | E Major | 1 | 12B | 79 BPM | ||
Carmen, Act IV, No.27 Duo et Choeur final: C'est toi! / C'est moi! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | A♭ Major | 2 | 4B | 81 BPM | ||
Sanctus - Vocal Version Of Elgar’s "Nimrod" From The Enigma Variations, Op. 36 | Katherine Jenkins | B♭ Major | 3 | 6B | 80 BPM | ||
Se Si Perde Un Amore | Marco Marinangeli, Katherine Jenkins | A Major | 4 | 11B | 91 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM |