"Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo)" by Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra was released on October 14, 2013. The duration of Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) is about 3 minutes long, at 3:11. Based on our data, "Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 21 in Forever by Diana Damrau, Royal Liverpool Philharmonic Orchestra. Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) by Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: La sonnambula, Act 2: "Ah! non giunge uman pensiero" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | E♭ Major | 2 | 5B | 81 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Calmatevi, idol mio" | Wolfgang Amadeus Mozart, Rolando Villazón, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 85 BPM | ||
Lehár: Paganini: "Liebe, du Himmel auf Erden" (Anna Elisa) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 74 BPM |