Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs's 'Messe solennelle, Op. 16: I. Kyrie' came out on March 23, 1997. Messe solennelle, Op. 16: I. Kyrie is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Vierne & Langlais: Messe solennelle by Gloucester Cathedral Choir, Mark Lee, David Briggs. The song's track number on the album is #1 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Messe solennelle, Op. 16: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle, Op. 16: I. Kyrie by Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messe solennelle, Op. 16: I. Kyrie being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe (Arr. for Organ by Tracey) | George Frideric Handel, Ian Tracey | D Major | 2 | 10B | 64 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
L’enharmonique | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 0 | 6A | 107 BPM | ||
Water Music (2001 Digital Remaster), Suite No. 3 in G Major: XIX - Menuet | George Frideric Handel, Prague Chamber Orchestra/Sir Charles Mackerras, Sir Charles Mackerras, Prague Chamber Orchestra | G Minor | 0 | 6A | 126 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM |