Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos's 'Symphony No. 67 in F Major, Hob.I:67: I. Presto' came out on February 9, 2000. Symphony No. 67 in F Major, Hob.I:67: I. Presto is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn's "Haydn: Symphonies, Vol. 21 (Nos. 66, 67, 68)" album is number 5 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 67 in F Major, Hob.I:67: I. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 67 in F Major, Hob.I:67: I. Presto by Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro moderato | Pablo Casals, Orchestre Du Festival De Prades, Yehudi Menuhin | B Minor | 3 | 10A | 77 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Fruhling (Spring): Introduction and Recitative: Seht, wie der strenge Winter (Simon, Lukas, Hanne) | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 1 | 5B | 117 BPM | ||
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Thema. Moderato semplice | Pyotr Ilyich Tchaikovsky, Jan Vogler | A Major | 0 | 11B | 66 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
String Quintet, Op. 97, B. 180: I. Allegro non tanto | Antonín Dvořák, Pavel Haas Quartet, Pavel Nikl | E♭ Major | 1 | 5B | 139 BPM | ||
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile | Johann Nepomuk Hummel, Madoka Inui | E♭ Major | 1 | 5B | 106 BPM | ||
Octet In F Major, Op.166, D.803: 5. Menuetto | Franz Schubert, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch, Eduard Brunner, Radovan Vlatkovic, Klaus Thunemann | F Minor | 2 | 4A | 107 BPM |