Benedetto Ferrari, Il Complesso Barocco/Alan Curtis made "Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione)" available on 2000. With Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 33 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Zefiro torna | Claudio Monteverdi, Leif Aruhn-Solén, Johan Linderoth, David Gammelgård, Anders Ericson, Fredrik Malmberg | F Major | 2 | 7B | 76 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Maddalena Casulana : Morir non può il mio core | Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli | C Major | 0 | 8B | 78 BPM | ||
Manuscrit Panmure: Gigue in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Nymphes des bois, NJE 29.18 | Josquin des Prez, Graindelavoix, Björn Schmelzer | A♭ Minor | 3 | 1A | 82 BPM | ||
Musiche varie a voce sola, Libro secondo: Cielo sia con tua pace | Benedetto Ferrari, Zachary Wilder, Le Stagioni, Paolo Zanzu | F Major | 2 | 7B | 129 BPM |