Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, John Constable made "Credo, R.591: 4. Allegro: Et resurrexit" available on January 1, 1998. The duration of Credo, R.591: 4. Allegro: Et resurrexit is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Credo, R.591: 4. Allegro: Et resurrexit's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Sacred Music by Antonio Vivaldi, Various Artists, Vittorio Negri, English Chamber Orchestra. The song's track number on the album is #20 out of 271 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Credo, R.591: 4. Allegro: Et resurrexit's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Credo, R.591: 4. Allegro: Et resurrexit by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, John Constable has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Credo, R.591: 4. Allegro: Et resurrexit being at 140 テンポ, the half-time would be 70 テンポ with a double-time of 280 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 143 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Largo | Baroque Festival Orchestra, Alberto Lizzio | B♭ Major | 0 | 6B | 87 BPM |