"Mass, Op. 11, "Cum jubilo": Agnus Dei" by Maurice Duruflé, Patricia Spence, Francois Le Roux, Mark Bleeke, David Jolley, Lawrence Dutton, Richard Locker, Kathleen Bride, Mark Kruczek, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene was released on January 1, 1995. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 15 in Durufle, M.: Requiem / Mass, "Cum Jubilo" / Notre Pere (Voices of Asension Chorus) by Maurice Duruflé, Voices of Ascension Chorus, Dennis Keene. Mass, Op. 11, "Cum jubilo": Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass, Op. 11, "Cum jubilo": Agnus Dei by Maurice Duruflé, Patricia Spence, Francois Le Roux, Mark Bleeke, David Jolley, Lawrence Dutton, Richard Locker, Kathleen Bride, Mark Kruczek, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Dona Nobis Pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 1 | 6B | 77 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
All-Night Vigil, Op. 37: V. Lord, Now Lettest Thou Thy Servant Depart in Peace | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Frank Fleschner | F♯ Major | 1 | 2B | 78 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Yves Castagnet, Maitrise Notre-Dame De Paris, Philippe Lefebvre, Nicole Corti | D♭ Minor | 2 | 12A | 86 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 133 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM |