"Wiegenlied - "Lullaby" - "Cradle Song"" by Johannes Brahms, Budapest Strings was released on May 15, 2020. With Wiegenlied - "Lullaby" - "Cradle Song" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 45 in Best of Brahms by Johannes Brahms, Julia Hagen, Annika Treutler, Hermut Giesser, Andreas Rothkopf, Pavel Urbanek, Hartmut Haenhen, Antal Doráti, Günter Wand, Ferdinand Leitner, Frieder Bernius. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wiegenlied - "Lullaby" - "Cradle Song" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wiegenlied - "Lullaby" - "Cradle Song" by Johannes Brahms, Budapest Strings is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
6 Hungarian Dances: No. 3. Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 123 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra) | Budapest Strings, Béla Bánfalvi, Károly Botvay | F Major | 1 | 7B | 90 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Divertmento In D Major - Allegro | Essential Band | G Minor | 1 | 6A | 88 BPM | ||
Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |