"Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra)" by Budapest Strings, Béla Bánfalvi, Károly Botvay was released on October 1, 2005. The duration of Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra) is about 3 minutes long, at 3:07. Based on our data, "Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Meditation für Kinder" album is number 6 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra) by Budapest Strings, Béla Bánfalvi, Károly Botvay to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro (Excerpt) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | B Major | 4 | 1B | 63 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
Romance, Op. 26 | Johan Svendsen, Béla Bánfalvi, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 71 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Pieces for Small Orchestra, RT vi/19 - Summer Night on the River | Frederick Delius, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 0 | 11B | 168 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Mikhail Pletnev, Russian National Orchestra, Christian Gansch | B Major | 0 | 1B | 141 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM |