Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'Auf dem Wasser zu singen, Op. 72, D. 774' came out on January 1, 1969. The duration of Auf dem Wasser zu singen, Op. 72, D. 774 is about 3 minutes long, at 3:24. Based on our data, "Auf dem Wasser zu singen, Op. 72, D. 774" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 171 in the song's album "Schubert: Lieder (Vol. 2)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Auf dem Wasser zu singen, Op. 72, D. 774 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf dem Wasser zu singen, Op. 72, D. 774 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Suite española No. 1, Op. 47: Asturias (Leyenda) | Isaac Albéniz, Alicia de Larrocha | E♭ Major | 1 | 5B | 134 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt (Isoldes Liebestod) | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | B Major | 2 | 1B | 81 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Beglückt darf nun dich, o Heimat, ich schauen...Dies ist ihr Sang" | Richard Wagner, Birgit Nilsson, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Otto Gerdes | E♭ Major | 3 | 5B | 86 BPM | ||
String Quintet in C, D.956: 2. Adagio | Franz Schubert, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Torleif Thedéen, Jens-Peter Maintz | F♯ Minor | 0 | 11A | 77 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM |