"Night Windows: III. Nostalgia" by Thea Musgrave, Nicholas Daniel, Huw Watkins was released on April 9, 2013. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Thea Musgrave, Nicholas Daniel's "Musgrave: Chamber Works for Oboe" album is number 3 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Night Windows: III. Nostalgia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Night Windows: III. Nostalgia by Thea Musgrave, Nicholas Daniel, Huw Watkins to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
Song of the Enchanter | Thea Musgrave, Helsinki Philharmonic Orchestra, Sergiu Comissiona | B Minor | 0 | 10A | 72 BPM | ||
Miklos Rozsa: Hungarian Serenade - V. Danza - HD | Miklós Rózsa, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | D Major | 2 | 10B | 97 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM |