"Chanson, "Triste depart"" by Nicolas Gombert, Choir of King's College, Cambridge, Stephen Cleobury was released on May 1, 1996. The duration of Chanson, "Triste depart" is about 3 minutes long, at 3:05. Based on our data, "Chanson, "Triste depart"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orlande de Lassus, Choir of King's College, Cambridge, Stephen Cleobury's "Lassus: Missa Vinum Bonum, etc." album is number 1 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Chanson, "Triste depart" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanson, "Triste depart" by Nicolas Gombert, Choir of King's College, Cambridge, Stephen Cleobury to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa della Madonna: Kyrye della Madonna IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Pleust a dieu (a 3) | Nicolas Gombert, Noel Bisson, Woodman Consort of Viols, Peter Urquhart | D Minor | 0 | 7A | 118 BPM | ||
Intemerata Dei mater: II. Nec sine te manet | Johannes Ockeghem, Owain Park, The Gesualdo Six | D Minor | 1 | 7A | 124 BPM | ||
Messa Delli Apostoli: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
In illo tempore | Nicolas Gombert, Odhecaton, Bruce Dickey, Doron Sherwin, Luca Bonvini, Mauro Morini, David Yacus, Gabriele Cassone | D♭ Major | 0 | 3B | 125 BPM | ||
Belta, Poi che t'assenti | Carlo Gesualdo, Ensemble Métamorphoses, Maurice Bourbon | B♭ Major | 1 | 6B | 80 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM | ||
Crecquillon: Pater peccavi - 1. Pater peccavi | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 79 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM |