Richard Wagner, Jan-Hendrick Rootering, Krisztina Laki, Friedrich Lenz, Roland Bracht, Cheryl Studer, John Alexander, June Anderson, Bavarian Radio Chorus, Norbert Orth, Roland Hermann, Bavarian Radio Symphony Orchestra, Karl Helm, Kurt Moll, Linda Gray, Kari Lövaas, Wolfgang Sawallisch made "Die Feen, WWV 32, Act I: Act I: Quartet (Arindal, Gunther, Gernot, Morald) - Finale I" available on January 1, 2016. Since Die Feen, WWV 32, Act I: Act I: Quartet (Arindal, Gunther, Gernot, Morald) - Finale I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Sawallisch by Richard Wagner, Wolfgang Sawallisch. The song's track number on the album is #8 out of 77 tracks. Based on our data, Germany was the country where this track was produced or recorded. Die Feen, WWV 32, Act I: Act I: Quartet (Arindal, Gunther, Gernot, Morald) - Finale I is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die Feen, WWV 32, Act I: Act I: Quartet (Arindal, Gunther, Gernot, Morald) - Finale I by Richard Wagner, Jan-Hendrick Rootering, Krisztina Laki, Friedrich Lenz, Roland Bracht, Cheryl Studer, John Alexander, June Anderson, Bavarian Radio Chorus, Norbert Orth, Roland Hermann, Bavarian Radio Symphony Orchestra, Karl Helm, Kurt Moll, Linda Gray, Kari Lövaas, Wolfgang Sawallisch has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Feen, WWV 32, Act I: Act I: Quartet (Arindal, Gunther, Gernot, Morald) - Finale I being at 73 テンポ, the half-time would be 36 テンポ with a double-time of 146 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op.48: 3. Sanctus (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Major | 0 | 5B | 173 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Bizet: Carmen, WD 31: Prélude | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 3 | 7A | 133 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo | Felix Mendelssohn, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 2 | 8B | 90 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Netherlands Radio Choir, Prague Philharmonic Chorus, Royal Concertgebouw Orchestra, Riccardo Chailly | D♭ Major | 1 | 3B | 126 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM |