"Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco"" by Eberhard Wächter was released on May 17, 2011. Since Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 56 in the song's album "The Extended Music of Amadeus". In this album, this song's track order is #42. Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" by Eberhard Wächter having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act One | Elisabeth Schwarzkopf, Luigi Alva, Dame Joan Sutherland, Carlo Maria Giulini, Philharmonia Orchestra, Eberhard Wächter | F Major | 4 | 7B | 64 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ma signor...ma un dottor ... (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 5 | 8B | 118 BPM | ||
Salome, Op. 54 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 3 | 10B | 78 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Was sagst du? Ha, sinnst du Verrat?" | Richard Wagner, Dietrich Fischer-Dieskau, Martti Talvela, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 95 BPM | ||
Act One | Elisabeth Schwarzkopf, Giuseppe Taddei, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | G Major | 5 | 9B | 143 BPM | ||
Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca) | Giacomo Puccini, Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 97 BPM | ||
Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E♭ Major | 3 | 5B | 115 BPM |