"Five Songs, Op. 37:1 Den första kyssen (The first Kiss)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With Five Songs, Op. 37:1 Den första kyssen (The first Kiss) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Five Songs, Op. 37:1 Den första kyssen (The first Kiss) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Songs, Op. 37:1 Den första kyssen (The first Kiss) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
La Traviata / Act 2: "Alfredo, Alfredo, di questo core" | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Fidelio, Op. 72 / Act 1: "Nun sprecht, wie ging's?" | Ludwig van Beethoven, Birgit Nilsson, Kurt Böhme, Wiener Philharmoniker, Lorin Maazel | C Major | 3 | 8B | 65 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Flickan Under Nymånen (The Girl Under the New Moon) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! | Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 98 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Sköldmön (The Amazon) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM |