"Lucia di Lammermoor, Act II, Scene I: No. 6b Larghetto "Soffriva nel pianto"" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Vladislav Sulimsky, Mariinsky Orchestra was released on July 25, 2011. With this song being about 5 minutes long, at 4:42, "Lucia di Lammermoor, Act II, Scene I: No. 6b Larghetto "Soffriva nel pianto"" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Vladislav Sulimsky, Mariinsky Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Lucia di Lammermoor, Act II, Scene I: No. 6b Larghetto "Soffriva nel pianto" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act II, Scene I: No. 6b Larghetto "Soffriva nel pianto" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Vladislav Sulimsky, Mariinsky Orchestra is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |