Moritz Moszkowski, Alain Raës made "15 Virtuosity Studies, Op. 72 “Per Aspera”: X. C Major" available on December 15, 1992. With 15 Virtuosity Studies, Op. 72 “Per Aspera”: X. C Major being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Moritz Moszkowski, Alain Raës's "Moszkowski: 27 Piano Studies, Op. 72 & Op. 92" album is number 10 out of 27. 15 Virtuosity Studies, Op. 72 “Per Aspera”: X. C Major is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 15 Virtuosity Studies, Op. 72 “Per Aspera”: X. C Major by Moritz Moszkowski, Alain Raës to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
X. October. Autimn`s Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Major | 1 | 9B | 99 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
15 Virtuosity Studies, Op. 72 “Per Aspera”: XII. D-Flat Major | Moritz Moszkowski, Alain Raës | D♭ Major | 1 | 3B | 78 BPM | ||
Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Carnaval, Op. 9: 5. Eusebius | Robert Schumann, Arthur Rubinstein | E♭ Major | 0 | 5B | 169 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Etudes-tableaux, Op. 33: No. 5 in D Minor. Moderato | Sergei Rachmaninoff, Nikolai Lugansky | D Minor | 1 | 7A | 76 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |