"Das Buch mit Sieben Siegeln: Und sie gebar einen Sohn" by Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony Orchestra was released on 1998. The duration of Das Buch mit Sieben Siegeln: Und sie gebar einen Sohn is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Das Buch mit Sieben Siegeln: Und sie gebar einen Sohn's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schmidt: Das Buch mit Sieben Siegeln". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Das Buch mit Sieben Siegeln: Und sie gebar einen Sohn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Buch mit Sieben Siegeln: Und sie gebar einen Sohn by Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony Orchestra having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 9. Variation 8. Presto non troppo | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 88 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |