Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips's 'Wiener Burger' had a release date set for January 1, 2000. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. This song is part of Wiener Schnitzel by Joseph Gungl, Joseph Lanner, Carl Michael Ziehrer, Franz Lehár, Ion Ivanovici, The Philharmonic Promenade Orchestra, Henry Krips. The song's track number on the album is #1 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wiener Burger is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wiener Burger by Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Wiener Burger being at 112 テンポ, the half-time would be 56 テンポ with a double-time of 224 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Gold und Silber op. 79 (Walzer) | Großes Wiener Funkorchester | G Major | 3 | 9B | 147 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
La Traviata: "Intermezzo" | Yuri Sazonoff & Jerry Caringi | B Major | 1 | 1B | 127 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM |